Next you have the Background panel where you can control the brush size, how photo-real the image will remain, the paint thickness, stroke length, color variation, and brush style.Īfter that you have the masking area, where you can mask off areas where you don’t want the painterly effect to be as pronounced, such as where you want to bring back more detail so as to help direct the viewer’s eye or where you want to have more detail recognition such as on a person’s face. Here a dropdown mimics the Effects Tour presets but without the preview. Snap Art 4īelow that is the Artistic Style panel. At the top, the Navigator panel lets you resize your image, and if the image becomes larger than the viewing window, you can navigate to the area of the image you want to work with. This is where Snap Art 4 gets interesting. For example, under Oil Paint you have Abstract, Colorful, Detailed, Dry Brush, Thick Paint, and Vignette. Within each style are several sub-styles. If you are unsure about what each of these can do, there is an Effects Tour that will render thumbnails of each of these styles in the preset panel so that you can get an idea of what each looks like. You have Color Pencil, Comics, Crayon, Impasto, Oil Paint, Pastel, Pen & Ink, Pencil Sketch, Pointillism, Stylize, and Watercolor. On the left side your presets are arranged in alphabetical order of genre. The layout, as with most applications of this type, has your image in the center of the screen. Next, you’ll see collapsible panels that work much in the same way as in Adobe Lightroom, where when you need them they are there, but when you want to focus on your image, they can be made to disappear. This look is similar to other editing tools on the market. The first thing to notice is that there is a darker theme to allow you to focus better on your image. One of the new things in version 4 is that the interface has been updated to let you work with fewer distractions. My image is then loaded into the Snap Art 4 interface. Once I have my image ready I select the layer I want to work with and the filter from the filter menu. When working to convert images to paintings, I tend to like to enhance the coloring and saturation of the image so that when it is converted, there is a lot more pop to it, but that is a personal preference and after all this is art and can be very subjective. You can also open Snap Art 4 as a standalone product for when you want to process a batch of images. You open your image in Adobe Photoshop CS6 or later, Adobe Lightroom 4 or later, Adobe Photoshop Elements 12 or later, or Apple Aperture 3 or later. Its goal is to allow you to take your creative idea and turn it into reality even if you do not have the technical training to do it by hand. It offers many styles and media: oil, pencil, watercolor, crayon, and much more. Snap Art 4 is the latest release from Alien Skin Software of their plugin and standalone software that allows you to take your digital images and create painterly works of art. With the availability of programs such as Snap Art, this cycle has come full circle: Technology is now allowing photographers to become painters. He created photographic composites that he would transform into paintings. Edgar Degas, the late 1800s impressionist famous for his paintings of dancers, was also a very accomplished photographer. In fact a number of famous painters were also well known for their photographic work. It has been said that photography was invented to help the painters of the day, so that they could capture images for reference before creating their works of art.
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